RIYADH: Over the past two months, a collection of black-and-white photographs taken by Princess Reem Mohammed Al-Faisal, granddaughter of the late King Faisal, has been on display at Riyadh’s L’Art Pur Foundation.
“States of Light,” according to a press release “explores the intersection of existence, reality and the Divine.” Through her lens, Princess Reem masterfully captures the interplay between light and shadow, transforming simple moments into meditative and poetic reflections on life, spirituality, and human connection. The exhibition, curated by Christiane Ashkar and Mohammed Al Shammaery, runs until Jan. 30.
A collection of black-and-white photographs taken by Princess Reem Mohammed Al-Faisal, granddaughter of the late King Faisal, has been on display at Riyadh’s L’Art Pur Foundation. (Supplied)
The show invites visitors on an evocative journey beginning in Jeddah at the Islamic Port — Ƶ’s maritime gateway to its sacred sites — and moving through Makkah and Madinah to key locations such as Mina, Mount Arafat, Muzdalifah, the Jamarat, and the Grand Mosque. These photographs not only capture the physical spaces but also convey the atmosphere at these holy sites, allowing viewers to reflect on the sacred in the everyday.
Art critic Laetitia Guillemin describes Princess Reem’s imagery like this: “A muffled sound, an outspoken whisper: in each image, half-lights tell a story, carrying away the voices of inner silence.”
Princess Reem Al-Faisal at the opening of ‘States of Light.’ (Supplied)
Guillemin highlights the way Princess Reem uses light to evoke emotions and inner thoughts, revealing moments of stillness and contemplation through the simplicity of black-and-white photography. In her work, the half-light is not just a technical feature but a symbolic element that invites the viewer into a deeper space of meditation.
“In our modern culture, we have been trained to focus upon the physical, although we see through our mind, will, and emotion. There is a spiritual dimension that is expressed through beauty and creativity. This is what I try to achieve for myself through my work,” Princess Reem has previously said. Her photography is not just about capturing an image, but about translating the unseen. “Art without spirituality is not art; it is decoration,” Princess Reem says. “The essence of life, of the human being, is spiritual.
She describes Arabic poetry and “the rich imagery it contains” as her greatest inspiration. “Photography is a modern form of poetry, and I use it to condense complex philosophical ideas into a single image,” she says.
“States of Light” features images from her international travels — including China, Egypt, Italy, Japan, Morocco, Syria, and the United States. (Supplied)
“States of Light” features images from her international travels — including China, Egypt, Italy, Japan, Morocco, Syria, and the United States — but it is in her depiction of the pilgrimage sites in Makkah and Madinah where the depth of her spiritual engagement is most evident. Her photographs convey not just the architectural grandeur of these locations but their profound spirituality. Through the careful manipulation of light, Princess Reem captures meditative moments of prayer and contemplation, where time seems to stand still.
Princess Reem’s exhibition is not just a collection of photographs; it is a meditation on the eternal, a dialogue between the material and the spiritual, and a reflection of her deep-rooted connection to her cultural and spiritual heritage. As her photographs explore the divine in the everyday, they invite viewers to contemplate their own relationship with the eternal and the unseen. The absence of color invites the viewer to focus on the essence of the scene, devoid of distractions. “Black-and-white is metaphysical. It gives you the metaphysical side of art,” says Princess Reem. “People can get distracted by color and forget about the image itself, but a black-and-white photograph forces people to focus.”
And in an era dominated by digital photography, Princess Reem remains committed to using traditional film. “99 percent of my work is on film,” she says. “The depth, the rendition of the shades, the textures… all of this is far more superior in film.”
Despite her passion for black-and-white imagery, Princess Reem says she is currently working on a new series of color images.
“I’ve been going around photographing Ƶ in color. It will be my new focus. Currently, it’s just Ƶ, but maybe other countries in the future. What I find fascinating is that color photography changes my perspective,” she says. “In black and white, my focus was on shades, shadows, and light. But (now), the color itself becomes the subject. It’s fascinating, and it’s beautiful. This shift has completely changed my approach to photography.”
Whether photographing in black and white or in color, however, Princess Reem stresses that, first and foremost, her focus is on creating work that expresses something meaningful, not on creating something that will sell. A true artist, she emphasizes, should not be motivated by money, but by a deeper calling.
“If my work doesn’t cost $10,000 a piece, then (people say) my work has no value,” she says. “But the concept that art is (just) a career is totally wrong.”
