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How the Facebook babies became the TikTok teens

How the Facebook babies became the TikTok teens
As Facebook turns 20, the babies who once pervaded its news feed barely use the platform now.
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Updated 02 February 2024

How the Facebook babies became the TikTok teens

How the Facebook babies became the TikTok teens
  • As Facebook turns 20, so are many of the toddlers who pervaded its news feed

DUBAI: “My parents like photography and when the digital age came, they shifted from photobooks to Facebook,” 23-year-old Dubai resident Alexandra Morata told Arab News.

Morata, like many her age and younger, grew up to find out that their parents had been posting pictures of them — including of their awkward teenage years — on Facebook.

The phenomenon was so common that there is a term for it: sharenting.

A paper written by child development experts defines sharenting as “the practice of parents, caregivers or relatives sharing information about their children (underage) online, typically on some online platforms.”

A massive 80 percent of children had an online presence before they were 2 years old, according to a 2010 study by online security firm AVG.

The presence of baby pictures on the news feed was seemingly so pervasive that in 2013 a browser extension called UnBaby.me was created to auto-detect baby images and replace them with others, including of cats.

As Facebook turns 20, the babies who once pervaded its news feed barely use the platform now.

Teenagers spent nearly two hours on TikTok every day, compared to just one minute on Facebook and 16 minutes on Instagram, according to a 2022 study.

Morata and Aily Prasetyo, 24, both said they have shifted to other platforms like Instagram and TikTok partly due to their friends not being on Facebook anymore, and also because “Facebook was so populated with … old people,” said Prasetyo.

“Facebook is a platform for millennials and baby boomers while TikTok is more for a younger audience and is known for its emphasis on authentic videos rather than ones that are overly sales oriented,” Nimrah Khan, founder of digital marketing agency Kollab Digital, told Arab News.

Those considered Generation Z are overwhelmingly embracing TikTok. It was the top platform of choice for Gen Zs overtaking YouTube, Instagram and Snapchat, according to a study last year by research firm YPulse.

Globally, seven of the top 10 countries for TikTok, by reach, are in the Middle East North Africa region, according to “Social Media in the Middle East 2022: A Year in Review” published by the University of Oregon-UNESCO Crossings Institute.

TikTok even overtook online giant Google in 2021 as the most popular website of the year, according to internet security company Cloudflare.

Khan has a warning though: “TikTok’s algorithmic recommendations can expose users, including teenagers, to inappropriate content or potential privacy risks based on their browsing history and interactions on the platform.”

Still, many youngsters remain open to sharing their lives online because they, in large part, understand the security risks of living a digital life.

Morata, for example, said that she does not have any privacy concerns around the pictures her parents shared of her childhood because they had private profiles. The conversations around online safety have made her more aware of the risks, and so, she is careful with her accounts, she added.

Social media “can be detrimental to mental health,” but it has become such a common topic of conversation that most older teens are aware of what is fake and what is not, especially as influencers have started becoming more authentic, said Prasetyo.

Despite that awareness, social media platforms can have dangerous effects on youngsters’ mental health.

Cam Barrett, who is now in her early twenties had her personal life — from bath photos to the fact that she was adopted — shared publicly on Facebook by her mother. It is a habit she inculcated too, sharing much of her life publicly, when she opened a Twitter account, she told The Atlantic.

But last year, Barrett was among the people who advocated for children’s internet privacy.

“Today is the first time that I’ve introduced myself with my legal name in three years because I’m terrified to share my name because the digital footprint I had no control over ... exists,” she said testifying in front of the Washington State House last year.

The testimony was to support a bill that aims to ensure that children who are heavily featured in influencers’ online content have a right to financial compensation for their work and to maintain their privacy.

“I know firsthand what it’s like to not have a choice in the digital footprint you didn’t create that follows you around for the rest of your life with no option for it to be removed,” Barrett said.

The bill is the brainchild of Chris McCarty, a student at the University of Washington, who was inspired by the 2020 case of Huxley Stauffer, a toddler with special needs adopted from China by family vloggers Myka and James Stauffer.

The couple made and monetized extensive content about Huxley and his adoption, before giving him up because they realized they were not equipped to take care of him.

In 2021, whistleblower and former product manager at Facebook, Frances Haugen, leaked thousands of internal documents detailing how the company knew its apps helped spread divisive content and harmed the mental health of some young users.

Top bosses from all major social media companies have been called on for answers by lawmakers around the world.

On Wednesday this week, CEOs from Meta, TikTok, and other companies were grilled by US lawmakers over the dangers that children and teens face using social media platforms.

“They’re responsible for many of the dangers our children face online,” said US Senate Majority Whip Dick Durbin, and chair of the committee, during his opening remarks.

He added: “Their design choices, their failures to adequately invest in trust and safety, their constant pursuit of engagement and profit over basic safety have all put our kids and grandkids at risk.”

The hearing marked TikTok CEO Shou Zi Chew’s second appearance before the US Congress, since March 2023, when he was questioned about the growing influence of TikTok on young people’s mental health, among other concerns.


What is Bluesky, the fast-growing social platform welcoming fleeing X users?

What is Bluesky, the fast-growing social platform welcoming fleeing X users?
Updated 16 November 2024

What is Bluesky, the fast-growing social platform welcoming fleeing X users?

What is Bluesky, the fast-growing social platform welcoming fleeing X users?
  • Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online

SAN FRANCISCO: Disgruntled X users are again flocking to Bluesky, a newer social media platform that grew out of the former Twitter before billionaire Elon Musk took it over in 2022. While it remains small compared to established online spaces such as X, it has emerged as an alternative for those looking for a different mood, lighter and friendlier and less influenced by Musk.
What is Bluesky?
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Musk’s X, with a “discover” feed and a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
Why is Bluesky growing?
Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online. The post-election uptick in users isn’t the first time Bluesky has benefited from people leaving X. The platform gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in one day in October, when X signaled that blocked accounts would be able to see a user’s public posts.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of Twitter more than a decade ago.
Despite Bluesky’s growth, X posted after the election that it had “dominated the global conversation on the US election” and had set new records.
Beyond social networking
Bluesky, though, has bigger ambitions than to supplant X. Beyond the platform itself, it is building a technical foundation — what it calls “a protocol for public conversation” — that could make social networks work across different platforms — also known as interoperability — like email, blogs or phone numbers.
Currently, you can’t cross between social platforms to leave a comment on someone’s account. Twitter users must stay on Twitter and TikTok users must stay on TikTok if they want to interact with accounts on those services. Big Tech companies have largely built moats around their online properties, which helps serve their advertising-focused business models.
Bluesky is trying to reimagine all of this and working toward interoperability.

 


Media group IMI and UAE Media Council sign deal to recruit and train local talent

Media group IMI and UAE Media Council sign deal to recruit and train local talent
Updated 14 November 2024

Media group IMI and UAE Media Council sign deal to recruit and train local talent

Media group IMI and UAE Media Council sign deal to recruit and train local talent
  • Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
  • It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies

DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.

The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.

The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.

“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.

IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.

Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.

Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.

He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”

It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.


Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent
Updated 15 November 2024

Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent
  • Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
  • The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director

DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.

“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.

The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.

It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.

They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.

Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Ƶ. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”

The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.

The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.

Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.

Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.

Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.

Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”

She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”

Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Ƶ is truly remarkable.”

The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.

The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.

Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis

“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.


Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun

Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun
Updated 14 November 2024

Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun

Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun
  • Her death brings the toll of Lebanese media workers killed to 12

LONDON: Lebanese journalist Soukaina Mansour Kawtharani was killed alongside her two children and other family members in an Israeli airstrike on a three-story residential building in Joun, near Sidon in southern Lebanon.

Kawtharani, who worked as a correspondent for Radio Al-Nour, a station seen as close to Hezbollah, was reported dead on Wednesday by the radio station.

The airstrike targeted the building, which was housing displaced families, on Tuesday.

Joseph Qosseifi, president of the Lebanese Press Editors’ Association, condemned the attack, calling it a “crime” and urging international human rights organizations, the International Criminal Court, the General Federation of Arab Journalists and UNESCO to take action.

In a statement issued through the official National News Agency, he said: “The Israeli enemy makes no distinction between civilians and combatants in its bombardments, violates every law, charter and pact, and speaks only the language of fire and blood.”

The building, reportedly owned by the Ghosn family — relatives of Carlos Ghosn, the Brazil-born French Lebanese businessman and former automotive executive — was completely destroyed in the strike, which killed 15 people, including eight women and four children, and injured 12, according to the Health Ministry.

Kawtharani’s death brings the number of Lebanese journalists and media workers killed since the beginning of the Israeli-Hamas conflict to 12, according to the Lebanese Press Editors’ Association.


Parody news website the Onion buys Alex Jones’ Infowars out of bankruptcy

Parody news website the Onion buys Alex Jones’ Infowars out of bankruptcy
Updated 14 November 2024

Parody news website the Onion buys Alex Jones’ Infowars out of bankruptcy

Parody news website the Onion buys Alex Jones’ Infowars out of bankruptcy
  • Families of victims of the Sandy Hook school shooting backed the Onion’s bid

NEW YORK: The parody news website the Onion bought conspiracy theorist Alex Jones’ Infowars brand and website in a bankruptcy auction, according to court documents filed on Thursday.
Jones filed for bankruptcy protection in 2022 after courts ordered him to pay $1.5 billion for defaming the families of 20 students and six staff members killed in the mass shooting at Sandy Hook Elementary School in Newtown, Connecticut. Jones, unable to pay those legal judgments, was forced to auction his assets, including Infowars, in bankruptcy.
The Connecticut families of eight victims of the school shooting backed the Onion’s bid, saying it would put “an end to the misinformation machine” that Jones operated.
The Onion said it aims to replace “Infowars’ relentless barrage of disinformation” with the Onion’s “relentless barrage of humor.” “The Onion is proud to acquire Infowars, and we look forward to continuing its storied tradition of scaring the site’s users with lies until they fork over their cold, hard cash,” the Onion CEO Ben Collins said in a statement. Everytown for Gun Safety, the largest gun violence prevention organization in the country, said it will serve as the exclusive advertiser on the new Infowars.
The Onion will acquire Infowars’ intellectual property, including its website, customer lists and inventory, certain social media accounts and the Infowars production equipment, the families said in a statement.
“They’re shutting us down,” Jones said on social media site X. “I’m going to be here until they come in here and turn the lights off.”