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Probe by rights groups, wire services finds Israeli attack on journalists in Lebanon was likely to have been intentional

Probe by rights groups, wire services finds Israeli attack on journalists in Lebanon was likely to have been intentional
The camera that belonged to Reuters journalist Issam Abdallah, who was killed on Oct. 13, is displayed during a press conference. (Reuters)
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Updated 08 December 2023

Probe by rights groups, wire services finds Israeli attack on journalists in Lebanon was likely to have been intentional

Probe by rights groups, wire services finds Israeli attack on journalists in Lebanon was likely to have been intentional
  • Evidence suggests that the military had knowledge that the individuals were civilians
  • Intentionally targeting civilians is a war crime

LONDON: Investigations by Human Rights Watch, Amnesty International, Reuters, and Agence France-Presse have found that an Israeli attack on Oct. 13 was likely to have been a deliberate assault by the Israel Defense Forces on civilians, which is a war crime.

The attack killed journalist Issam Abdallah, from Reuters, and injured six others including Carmen Joukhadar and Elie Brakhya from Al Jazeera; Dylan Collins and Christina Assi from AFP; and Thaer al-Sudani and Maher Nazeh from Reuters. 

The reports include witness testimony and are based on analysis of videos, audio, munition remnants, and satellite imagery verified by the organizations, as well as multiple interviews with officials and civilians.

Aya Majzoub, Amnesty International’s deputy regional director for the Middle East and North Africa, said: “Our investigation into the incident uncovers chilling evidence pointing to an attack on a group of international journalists who were carrying out their work by reporting on hostilities.

“Direct attacks on civilians and indiscriminate attacks are absolutely prohibited by international humanitarian law and can amount to war crimes.”

The findings are in line with the Committee to Protect Journalists’ report “Deadly Pattern,” published in May, which showed lethal force by the Israel Defense Forces had left 20 journalists dead over the last 22 years, without any accountability.

The CPJ said it welcomed the four reports and “reiterates its call for an immediate, independent, and transparent investigation that holds the perpetrators to account.”

Ramzi Kaiss, Lebanon researcher at Human Rights Watch, said: “This is not the first time that Israeli forces have apparently deliberately attacked journalists, with deadly and devastating results.”

The attack on Oct. 13 occurred at around 6 p.m. The group of journalists had gathered as early as 4:45 p.m. in a clearing on a hilltop in Alma Al-Shaab, to film ongoing fighting on Lebanon’s southern border with Israel.

Journalists from Al Jazeera had conducted two live TV reports, the first at 4:55 p.m. and the second at 5:24 p.m., from the same location. 

Live transmissions by Reuters and AFP were also broadcast on air by several television stations during that period. 

The journalists had remained stationary for over 75 minutes before they were hit, and none of the evidence indicated the presence of any military target near the journalists.

All seven journalists were wearing helmets and blue ballistic vests with labels that said “PRESS,” and were clearly identifiable as journalists.

Footage also shows the group wearing the clearly marked vests and helmets in the same area, near a car marked with “TV” in large letters on its hood.

Five cameras belonging to journalists indirectly captured the attack and its aftermath, shedding light on how the attack was carried out and from where.

Evidence reviewed by the organizations indicates that the Israeli military knew or should have known that the people they were firing on were civilians.

The journalists interviewed said that the first attack struck Abdallah, killing him instantly, and badly injuring photojournalist Assi. 

Just 37 seconds later, the car owned by Al Jazeera was engulfed in flames and destroyed by a second attack, resulting in more injuries to journalists.  

Majzoub said: “Under international humanitarian law, parties to a conflict have a clear obligation to protect civilians, including journalists, and must at all times distinguish between civilians and civilian objects on one hand and fighters and military objectives on the other.”

HRW asserted that “warring parties are obligated to take all feasible precautions to avoid harm to civilians” and must “verify that targets are military objectives.”

It also suggested that Israel’s key allies, Germany, Canada, the US and the UK, “should suspend military assistance and arms sales to Israel, given the real risk that they will be used to commit grave abuses.”

Kaiss said: “The evidence strongly suggests that Israeli forces knew or should have known that the group that they were attacking were journalists.

“This was an unlawful and apparently deliberate attack on a very visible group of journalists.”


What is Bluesky, the fast-growing social platform welcoming fleeing X users?

What is Bluesky, the fast-growing social platform welcoming fleeing X users?
Updated 16 November 2024

What is Bluesky, the fast-growing social platform welcoming fleeing X users?

What is Bluesky, the fast-growing social platform welcoming fleeing X users?
  • Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online

SAN FRANCISCO: Disgruntled X users are again flocking to Bluesky, a newer social media platform that grew out of the former Twitter before billionaire Elon Musk took it over in 2022. While it remains small compared to established online spaces such as X, it has emerged as an alternative for those looking for a different mood, lighter and friendlier and less influenced by Musk.
What is Bluesky?
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Musk’s X, with a “discover” feed and a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
Why is Bluesky growing?
Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online. The post-election uptick in users isn’t the first time Bluesky has benefited from people leaving X. The platform gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in one day in October, when X signaled that blocked accounts would be able to see a user’s public posts.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of Twitter more than a decade ago.
Despite Bluesky’s growth, X posted after the election that it had “dominated the global conversation on the US election” and had set new records.
Beyond social networking
Bluesky, though, has bigger ambitions than to supplant X. Beyond the platform itself, it is building a technical foundation — what it calls “a protocol for public conversation” — that could make social networks work across different platforms — also known as interoperability — like email, blogs or phone numbers.
Currently, you can’t cross between social platforms to leave a comment on someone’s account. Twitter users must stay on Twitter and TikTok users must stay on TikTok if they want to interact with accounts on those services. Big Tech companies have largely built moats around their online properties, which helps serve their advertising-focused business models.
Bluesky is trying to reimagine all of this and working toward interoperability.

 


Media group IMI and UAE Media Council sign deal to recruit and train local talent

Media group IMI and UAE Media Council sign deal to recruit and train local talent
Updated 14 November 2024

Media group IMI and UAE Media Council sign deal to recruit and train local talent

Media group IMI and UAE Media Council sign deal to recruit and train local talent
  • Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
  • It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies

DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.

The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.

The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.

“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.

IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.

Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.

Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.

He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”

It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.


Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent
Updated 15 November 2024

Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent
  • Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
  • The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director

DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.

“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.

The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.

It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.

They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.

Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Ƶ. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”

The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.

The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.

Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.

Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.

Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.

Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”

She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”

Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Ƶ is truly remarkable.”

The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.

The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.

Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis

“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.


Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun

Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun
Updated 14 November 2024

Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun

Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun
  • Her death brings the toll of Lebanese media workers killed to 12

LONDON: Lebanese journalist Soukaina Mansour Kawtharani was killed alongside her two children and other family members in an Israeli airstrike on a three-story residential building in Joun, near Sidon in southern Lebanon.

Kawtharani, who worked as a correspondent for Radio Al-Nour, a station seen as close to Hezbollah, was reported dead on Wednesday by the radio station.

The airstrike targeted the building, which was housing displaced families, on Tuesday.

Joseph Qosseifi, president of the Lebanese Press Editors’ Association, condemned the attack, calling it a “crime” and urging international human rights organizations, the International Criminal Court, the General Federation of Arab Journalists and UNESCO to take action.

In a statement issued through the official National News Agency, he said: “The Israeli enemy makes no distinction between civilians and combatants in its bombardments, violates every law, charter and pact, and speaks only the language of fire and blood.”

The building, reportedly owned by the Ghosn family — relatives of Carlos Ghosn, the Brazil-born French Lebanese businessman and former automotive executive — was completely destroyed in the strike, which killed 15 people, including eight women and four children, and injured 12, according to the Health Ministry.

Kawtharani’s death brings the number of Lebanese journalists and media workers killed since the beginning of the Israeli-Hamas conflict to 12, according to the Lebanese Press Editors’ Association.


Parody news website the Onion buys Alex Jones’ Infowars out of bankruptcy

Parody news website the Onion buys Alex Jones’ Infowars out of bankruptcy
Updated 14 November 2024

Parody news website the Onion buys Alex Jones’ Infowars out of bankruptcy

Parody news website the Onion buys Alex Jones’ Infowars out of bankruptcy
  • Families of victims of the Sandy Hook school shooting backed the Onion’s bid

NEW YORK: The parody news website the Onion bought conspiracy theorist Alex Jones’ Infowars brand and website in a bankruptcy auction, according to court documents filed on Thursday.
Jones filed for bankruptcy protection in 2022 after courts ordered him to pay $1.5 billion for defaming the families of 20 students and six staff members killed in the mass shooting at Sandy Hook Elementary School in Newtown, Connecticut. Jones, unable to pay those legal judgments, was forced to auction his assets, including Infowars, in bankruptcy.
The Connecticut families of eight victims of the school shooting backed the Onion’s bid, saying it would put “an end to the misinformation machine” that Jones operated.
The Onion said it aims to replace “Infowars’ relentless barrage of disinformation” with the Onion’s “relentless barrage of humor.” “The Onion is proud to acquire Infowars, and we look forward to continuing its storied tradition of scaring the site’s users with lies until they fork over their cold, hard cash,” the Onion CEO Ben Collins said in a statement. Everytown for Gun Safety, the largest gun violence prevention organization in the country, said it will serve as the exclusive advertiser on the new Infowars.
The Onion will acquire Infowars’ intellectual property, including its website, customer lists and inventory, certain social media accounts and the Infowars production equipment, the families said in a statement.
“They’re shutting us down,” Jones said on social media site X. “I’m going to be here until they come in here and turn the lights off.”