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Calligraphic classics go under the hammer at 厂辞迟丑别产测鈥檚

Calligraphic classics go under the hammer at 厂辞迟丑别产测鈥檚
厂辞迟丑别产测鈥檚 鈥楢rts of the Islamic World & India鈥 sale was held March 31. (Supplied)
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Updated 03 April 2021

Calligraphic classics go under the hammer at 厂辞迟丑别产测鈥檚

Calligraphic classics go under the hammer at 厂辞迟丑别产测鈥檚
  • Highlights from 厂辞迟丑别产测鈥檚 鈥楢rts of the Islamic World & India鈥 sale, held March 31

Illuminated Qur鈥檃n copied by Ahmad Al-Rumi, dated 1447 CE

This manuscript, 厂辞迟丑别产测鈥檚 said, 鈥渞epresents an outstanding calligraphic feat by one of the foremost practitioners in the history of the Islamic Arts of the Book, Ahmad Al-Rumi. He is known as a master of the six pens and was held in great esteem at the Timurid Court. 鈥 A small number of works by the scribe are known, including only one other Qur鈥檃n, rendering the manuscript to hand both extremely important and rare.鈥 In this manuscript, Al-Rumi displayed his mastery of the art, using four different scripts 鈥 鈥渁 strong and angular Muhaqqaq interspersed with a fine and balanced Naskh for the main text, an elegant Thuluth for the surah headings, with the addition of Tawqi on the final page鈥 鈥斅爓ith extraordinary skill. 鈥淭he colophon page is extraordinary, as not only do we see the text in four scripts, but also the use of the musalsal method, in which a pen isn鈥檛 lifted from the page, resulting in a seamless 鈥榗hain鈥 of calligraphy,鈥 厂辞迟丑别产测鈥檚 added in the catalogue notes. Sold for 拢378,000.

Illuminated Qur鈥檃n made for the chief justice of Jerusalem and Nablus, dated 1514 CE聽

This remarkable complete copy of the Qur鈥檃n was scribed by master calligrapher Abu Al-Fadi Muhammad Ibn Abd Al-Wahhab Al-Shafi Al-Sunbati Al-Araj 鈥斅燼 royal scribe to a Mamluk sultan and a student of Yasin Al-Jalali 鈥 and is dated 1514 CE. The piece was commissioned by a former chief justice of Jerusalem and Nablus, Jalal Al-Din Abu Al-Waffa Mohammad Ibn Junis Al-Hanafi, and was later owned by Hajj Uthman Kanoo Isma鈥檌l, who was mayor of Yanbu Al-Bahr, in Hijaz. The verses are written in the Naskh script, with surah headings in larger gold Thuluth script outlined in black. 鈥淭he generous use of gold and silver in the illumination and text illustrates the wealth and prestige of the patron of this Qur鈥檃n,鈥 the catalogue notes said. It also sold for 拢378,000 at the auction.

A compendium of works relating to the Hajj, from the 18th century

This manuscript contains two works 鈥 the first is an essay on Makkah, the Hajj, and the measurements of the Great Mosque; the second is a copy of the 鈥淔utuh Al-Haramayn,鈥 a famous guidebook to the cities of Makkah and Madinah, originally written in the early 16th century, which included instructions for pilgrims on the rituals of the Hajj and the religious sites they could visit. This book, written in Nasta鈥檒iq script with important words written in red ink, also contains 19 illustrations of Makkah and Madinah. Sold for 拢50,400 at auction.

10th-century Qur鈥檃n leaf in gold Kufic script (12-18k sterling)

A real rarity 鈥斅爐his folio containing five lines to the page of gold-colored script is part of one of just a handful of Qur鈥檃ns in which gold Kufic script was used. It would, the auction house explained, 鈥渉ave been a lengthy and expensive process, indicating a commission at the highest level of patronage.鈥 It is believed to have originated from the Near East, and sold for 拢37,800 at auction.

Bifolium from the 鈥楩ive Surahs,鈥 circa 1370

Pages taken from a manuscript of selected Qur鈥檃nic chapters (1, 5, 18, 34, and 35) that all begin with the phrase 鈥楢l-hamdulillah.鈥 The pages have been traced back to a manuscript that gives the name of the scribe as Abdul Qayyum Ibn Muhammad Ibn Karamshah-I Tabrizi. 厂辞迟丑别产测鈥檚 cited calligraphy expert David James as describing Tabrizi鈥檚 work here in the Muhaqqaq script as, 鈥淔aultless perfection 鈥 equaled only by Suhrawardi in the Qur鈥檃n produced in Baghdad in the early years of the 14th century.鈥 Sold for 拢37,800.

Illuminated Mamluk Qur鈥檃n from Egypt or Syria in the 14th century

鈥淭his lavishly illuminated section comes from what must have been an impressive Qur鈥檃n in several volumes,鈥 said 厂辞迟丑别产测鈥檚 of this manuscript 鈥斅爄n which the verses are written in Muhaqqaq script and separated by gold florets, while the titles are written in white Kufiq script on blue backgrounds with gold embellishments. The 42 leaves of the manuscript are bound in leather. 鈥淚ts decoration and illumination recall both Ilkhanid court production (and) early Mamluk manuscripts, rendering it testament to these cross influences at the beginning of the 14th century,鈥 the catalogue notes continue. Sold for 拢50,400.

Mid-14th-century Qur鈥檃n leaf attributed to Arghun Al-Kamili

Pages from a Qur鈥檃n that is believed to have been scribed by Al-Kamili, one of the most prolific calligraphers working in Baghdad in the middle of the 14th century CE 鈥斅燼 time when the Iraqi capital was the center of the calligraphic arts. Al-Kamili was one of the six famous pupils of Yaqut Al-Mustasimi 鈥斅爐he secretary of the last Abbasid caliph, and was, 厂辞迟丑别产测鈥檚 said, 鈥渞enowned to a point that illuminators of his manuscripts signed their work in a wish to stress their association with him.鈥 This leaf is written in Rayhani script and its verses are separated by blue and gold rosettes. It was expected to fetch around $20-25,000 at auction.

Illuminated Qur鈥檃n copied by Abdullah Al-Qadir Al-Husayni in the 16th century

鈥淭his magnificent and well-preserved Qur鈥檃n has all the hallmarks of the most refined manuscripts of the Safavid period,鈥 the catalogue notes said. Copies of the Qur鈥檃n were traded between the Ottoman and Safavid empires despite the animosity between them, and Qur鈥檃ns such as this were often offered as gifts to the Ottoman court by Safavid envoys. This particular manuscript is written in Naskh script and contains some fine examples of full-page illumination.